They shared another kissing scene, but their first kissing scene scores way better in passion-o-meter! Their romance was young and sprightly, and their first kissing scene was too deep and passionate. One of the few positives of this flawed film was the endearing chemistry between Ranveer Singh and Anushka Sharma. Ranbir Kapoor - Deepika Padukone Also Read - Vicky Kaushal-Katrina Kaif wedding: Karan Johar and Alia Bhatt to head to Rajasthan to attend Victrina’s shaadi So presenting to you 10 of the best kisses of 2015 (found videos where I can!), which you can argue in the comment sections below! Also Read - Virat Kohli’s selfie with a baby goes viral, fans' wait for the first glimpse of Vamika gets all the more difficult – see pics Though Censor Board did try to play spoilsport with quite a few films here (and even some foreign imports like SPECTRE), some of them managed to stay intact. Also Read - Trending OTT news today: Katrina Kaif – Vicky Kaushal offered massive amount by OTT giant for wedding footage, Shakun Batra's next with Deepika Padukone to release on OTT and more Gone are the days when people used to show flowers touching each other to show the act of kissing! We have just completed 2015, where nearly every film had one kissing scene, with the exception of biggies like Bajrangi Bhaijaan, Prem Ratan Dhan Payo (though it had one self-orgasmic moment, if you know what I mean!), Dilwale and Bajirao Mastani. But this doesn’t erase what’s come before: a funny, hopeful film, with enough dry wit and generosity of spirit to allow it to circumvent the farcical pitfalls of its subject matter.Liplocks just got a bit more interesting this year! The film’s final 20 minutes includes an elaborate, less-than-sensible gag, a spot of screenwriting panic, an on-the-nose sermon, and a deus ex machina when none was required. With so much going for it, it’s disappointing when Shubh Mangal Saavdhan doesn’t come close to sticking the landing. He’s well-matched with Pednekar, who takes her almost-too-understanding character and gives her just enough of an edge.
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Hitesh Kewalya contributes a sparkling screenplay-one sublime moment occurs when Sugandha’s father and uncle each yank a slipper off to beat her younger brother, but then become sentimental when this reminds them of their late father (the uncle’s parting shot: “Use mariyega zaroor (Do hit him, though)." Khurrana has shown more inclination than perhaps any of his contemporaries to explore the idea of fragile masculinity in his work Mudit can be seen as the flipside to his Prem in Dum Laga Ke Haisha, as insecure but less bitter. Shubh Mangal Saavdhan fits snugly into this very Indian subgenre: its comedy is rooted in the everyday, its conflicts life-size. There’s been a notable resurgence of middle cinema in the last few years, from Ankhon Dekhi to Bareilly Ki Barfi. Mudit describes their impending marriage as “love-cum-arranged-cum-love", and even though their relationship walks over its share of hot coals, this seems about right.
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One surprising scene in a Delhi park starts out comic, with Sugandha inexpertly attempting to seduce Mudit, and ends with her crying and being comforted by him. It’s also made clear as the film progresses that there are insecurities on both sides. The dysfunction may be on Mudit’s end but Sugandha makes it clear-over the sound of his self-flagellation-that this is a problem for them to solve together. Like Vicky Donor, which kicked a hole in the middle-class-morality wall simply by saying “sperm" some 500 times, this bright, unembarrassed film discusses a somewhat taboo subject loudly and sensibly. Shubh Mangal Saavdhan might not be hailed as boundary-pushing cinema-and yet, in its own unassuming way, it is. Eventually Mudit emerges and, over tea, with the illustrative help of a limp biscuit, mutters something about a “gents problem". A voice on the radio describes a romantic situation gone south. Sugandha waits for him on the bed he panics in the bathroom. Once inside, they begin to make out, until he abruptly excuses himself. His motorcycle helmet visor is in the way-an early warning of the trickier interruptus to follow. One night, after he drops her home, they lean in for a first kiss. Mudit and Sugandha have met in person, seen each other’s families online, gotten engaged, and are now growing fond of each other-in that strange but not uncommon order. The scene that sets up the central conflict is a comic beauty.